1 note
12:35 PM . 26 February 2012

That blank, silent interval between leaves you sad, so terribly sad. Like fog from the sea, that blankness wends its way into your heart and remains there for a long, long time. Finally it’s a part of you.

6 notes
11:20 PM . 15 January 2012
Let my epitaph be: here lies one whose name was writ on water.
- John Keats
592 notes
11:39 AM . 14 January 2012




Strand Books, New York. In 1927, Ben Bass opened Strand Book Store on Fourth Avenue, home of New York’s legendary Book Row. Named after the famous publishing street in London, the Strand was one of 48 bookstores on Book Row, which started in the 1890’s and ran from Union Square to Astor Place.

6 notes
11:17 PM . 10 January 2012

Left brain:
I am the left brain.  I am a scientist.  A mathematician.  I love the familiar.  I categorize.  I am accurate.  Linear.  Analytical.  Strategic.  I am practical.  Always in control.  A master of words and language.  Realistic.  I calculate equations and play with numbers.  I am order.  I am logic.  I know exactly who I am.

Right brain:
I am the right brain.  I am creativity.  A free spirit.  I am passion.  Yearning.  Sensuality.  I am the sound of roaring laughter.  I am taste.  The feeling of sand beneath bare feet.  I am movement.  Vivid colors.  I am the urge to paint an empty canvas.  I am boundless imagination.  Art.  Poetry.  I sense.  I feel.  I am everything I wanted to be.

(via street anatomy)

7 notes
11:15 PM . 10 January 2012
5 notes
11:11 PM . 10 January 2012
147 notes
11:02 PM . 10 January 2012

Circles of Influence by Michelle Legro and Maria Popova

5 notes
11:00 PM . 10 January 2012

Iconic Photographs With Their Subjects Removed: Napalm Girl (top), Tank Man (left), Raising The Flag On Iwo Jima (right)

51 notes
08:15 PM . 29 December 2011

These 9 drawings were done by an artist under the influence of LSD


These 9 drawings were done by an artist under the influence of LSD — part of a test conducted by the US government during it’s dalliance with psychotomimetic drugs in the late 1950’s. The artist was given a dose of LSD 25 and free access to an activity box full of crayons and pencils. His subject is the medico that jabbed him.

First drawing is done 20 minutes after the first dose (50ug). An attending doctor observes - Patient chooses to start drawing with charcoal. The subject of the experiment reports - ‘Condition normal… no effect from the drug yet’.

85 minutes after first dose and 20 minutes after a second dose has been administered (50ug + 50ug)  The patient seems euphoric.  ‘I can see you clearly, so clearly. This… you… it’s all … I’m having a little trouble controlling this pencil. It seems to want to keep going.’

2 hours 30 minutes after first dose.  Patient appears very focus on the business of drawing.  ‘Outlines seem normal, but very vivid - everything is changing colour. My hand must follow the bold sweep of the lines. I feel as if my consciousness is situated in the part of my body that’s now active - my hand, my elbow… my tongue’.

2 hours 32 minutes after first dose.  Patient seems gripped by his pad of paper.  ‘I’m trying another drawing. The outlines of the model are normal, but now those of my drawing are not. The outline of my hand is going weird too. It’s not a very good drawing is it? I give up - I’ll try again…’

2 hours 35 minutes after first dose.  Patient follows quickly with another drawing.  ‘I’ll do a drawing in one flourish… without stopping… one line, no break!’  Upon completing the drawing the patient starts laughing, then becomes startled by something on the floor.  

2 hours 45 minutes after first dose.  Patient tries to climb into activity box, and is generally agitated - responds slowly to the suggestion he might like to draw some more. He has become largely none verbal.  ‘I am… everything is… changed… they’re calling… your face… interwoven… who is…’ Patient mumbles inaudibly to a tune (sounds like ‘Thanks for the memory). He changes medium to Tempera.

4 hours 25 minutes after first dose.  Patient retreated to the bunk, spending approximately 2 hours lying, waving his hands in the air. His return to the activity box is sudden and deliberate, changing media to pen and water colour.  ‘This will be the best drawing, Like the first one, only better. If I’m not careful I’ll lose control of my movements, but I won’t, because I know. I know’ - (this saying is then repeated many times).  Patient makes the last half-a-dozen strokes of the drawing while running back and forth across the room.

5 hours 45 minutes after first dose.  Patient continues to move about the room, intersecting the space in complex variations. It’s an hour and a half before he settles down to draw again - he appears over the effects of the drug.  ‘I can feel my knees again, I think it’s starting to wear off. This is a pretty good drawing - this pencil is mighty hard to hold’ - (he is holding a crayon).  

8 hours after first dose.  Patient sits on bunk bed. He reports the intoxication has worn off except for the occational distorting of our faces. We ask for a final drawing which he performs with little enthusiasm.  ‘I have nothing to say about this last drawing, it is bad and uninteresting, I want to go home now.’

14 notes
09:39 PM . 14 December 2011

Washington-based painter Tyree Callahan modified a 1937 Underwood Standard typewriter, replacing the letters and keys with color pads and hued labels to create a functional “painting” device called the Chromatic Typewriter. (via Colossal)